Robert Young was born in Vancouver in 1938. He graduated from UBC with a
B.A. in art history in 1962. He taught painting and drawing at UBC from
1982 to 1998. He has had solo exhibitions at Simon Fraser University
and The Evergreen Centre, the Burnaby Art Gallery (2009), the Vancouver
Art Gallery (1989), the Charles H. Scott Gallery (1984), Confederation
Centre Art Gallery (1981), the Art Gallery of Greater Victoria (1980),
the Southern Alberta Art Gallery (1979) and the Glenbow Museum (1977).
Young’s art imaginatively reconstructs experience as a kind of
allegorical collage, in which realistically painted or drawn objects
compete for the viewer’s attention with images pilfered from art
history. His paintings are nominally still lifes that depict living-room
interiors, flights of stairs, scenes half glimpsed through urban
windows, and fruit and flowers. Their ostensible realism is repeatedly
disrupted by visual quotations from the work of other artists, and by
jarring shifts in medium. Oil is juxtaposed with chalky gouache,
watercolour, coloured pencil, and silvery graphite.
Bebop, 2014
three-plate, five-colour etching, ed. 40
image: 19” x 14”
paper: 25.5” x 20”
$1000.00

Sampler, 2001
intaglio, linocut, woodcut, ed. 80
image: 26.5” x 18.5”
paper: 30” x 22.5”
$650.00
Robery Young is a scholar of printmaking. Combining etching with
linocut and woodblock printing techniques, Sampler revisits imagery he
employed in the past including a striding figure which cites a William
Blake engraving of 1793, The Traveller Hasteth in the Evening, as well
as figures borrow from Edward Lear and Marc Chagall. Juxtaposed with the
Dutch word for ‘foreward’. It’s difficult to read these images as
anything other than a critique of our unexamined, headlong commitment to
technological progress. The dandelion harks back to a time when we
looked to the plant for healing and renewal. Sampler manages to be
refelctive rather than didactic, evocative rather than doctrinaire. It
expands our understanding rather than constraining it and, not
incidentally, it is also a thing of beauty.